New Bedford’s annual Seaport Art Walk was founded in 2013 by artist Jessica Bregoli, and is the city’s first large format outdoor public art installation. Each summer, sculpture and murals are strategically placed along New Bedford’s working waterfront and Seaport Cultural District.

Seaport Art Walk is facilitated by New Bedford Creative, housed at the New Bedford Economic Development Council, and a collaboration with the City of New Bedford’s Parks, Recreation and Beaches, Destination New Bedford, Massachusetts Design, Art, and Technology Institute (DATMA), New Bedford Fishing Heritage Center, UMASS Dartmouth’s College of Visual and Performing Arts (CVPA), and Bristol Community College (BCC) Visual and Performing Arts Department.

This program is supported in part by a grant from the New Bedford Cultural Council, a local agency which is supported by the Mass Cultural Council, a state agency, as well as the City of New Bedford’s Arts, Culture and Tourism Fund, with additional support from Bristol County Savings Bank.

2025 Seaport Art Walk: Revolution/Evolution

Applications for the 2025 Seaport Art Walk are now closed. Proposals were due Sunday, February 23, 2025 by 11:59PM EST. See below to view the 2025 Call for Art.

Overview
The Seaport Art Walk is an annual outdoor public art exhibition that takes place along the waterfront and in the Seaport Cultural District in New Bedford, Massachusetts. This year, artists are invited to submit a proposal for a new or existing outdoor temporary sculpture or mural, or digital photography of other genres of work, inspired by the theme “Revolution/Evolution.” This is a juried show, with reviewers from the partnerships listed below.

New Artwork: Call for Art Proposals (receive up to $2,500 in funding per artwork)
Artists may submit up to three (3) proposals and need to include the following materials:

• Basic information: include your name, phone, email, website or social media, title of project, narrative description of the project addressing the theme (see below for more details), and anticipated dimensions of the artwork.
• Schematic design: address how your artwork will sustain the high winds and high traffic area along the waterfront (for those submitting mural proposals, refer to the approved locations below).
• Schedule of maintenance: address how your artwork will be maintained in pristine condition for a minimum of four months in a high wind, high traffic area.
• Budget: include cost of estimated fabrication, construction, and installation/de-installation, as well as total cost of value and/or sale price.
• Artist credentials: include resume/CV (required) and artist statement (optional).
• Past work: upload at least three (3) images (best to include past public art).

Existing Artwork: Call for Art Proposals (receive up to $1,000 in funding per artwork)
Artists may submit up to three (3) proposals and need to include the following materials:

• Basic information: include your name, phone, email, website or social media, title of project, narrative description of the project addressing the theme (see below for more details), and dimensions of the artwork.
• Photos of proposed work: upload up to three (3) images (best to include different angles if possible).
• Schedule of maintenance: address how your artwork will be maintained in pristine condition for a minimum of four months in a high wind, high traffic area.
• Budget: include cost of installation/de-installation, as well as total cost of value and/or sale price.
• Artist credentials: include resume/CV (required) and artist statement (optional).

Featured Digital Photography: Call for Art Proposals (receive up to $250 in funding)
Artists may submit up to three (3) digital photographs of artwork, and need to include the following additional materials:

• Basic information: include your name, phone, email, website or social media, New Bedford address, title of project, narrative description of the project addressing the theme (see below for more details), and medium of the original form of artwork. 
• Artist credentials: include resume/CV (required) and artist statement (optional).
• Photographs: upload a minimum of three and up to six photos with a minimum resolution of 3300 x 5100 at 72ppi.

Deadline: Proposals were due Sunday, February 23, 2025 by 11:59PM EST.
Applications for the 2025 Seaport Art Walk are now closed.

Timeline

• Deadline for proposals: February 23, 2025
• Artist notifications sent: March 21, 2025
• Installation dates: June 23–July 2, 2025, coordinated with Jessica Bregoli-Sparling, curator
• Exhibition dates: official opening is Thursday, July 10, through October 31, 2025. If accepted, please save 5-8pm on 7/10/25 to participate in a walking tour on AHA! Night.
• Take-down dates (responsibility of artists): October 27 – 31, 2025, to be coordinated with Zane Cox, project manager.

Total Project Award

• Artist stipend for new outdoor artwork is up to $2,500 per artwork. Artist stipend for existing outdoor work is up to $1,000 per artwork. Artist stipend for featured digital photography is up to $250. Insurance is not provided.
• Invitation to present your art on the official opening night on AHA!, the evening of Thursday, July 10, 2025.
• All winning projects will be featured in print and online media, and a profile piece featured on social media platforms, including New Bedford Creative.

View our Seaport Art Walk archive below for examples of work from previous years and locations where artwork is usually installed.

2025 Theme: “Revolution/Evolution”
New Bedford’s evolution is a powerful narrative of revolution and innovation—rooted first in the ingenuity of the Wampanoag peoples who thrived here long before colonization, pioneering sustainable fishing, agriculture, and land stewardship. From its founding role in the nation to its impact on whaling, textile advancements, and social justice, New Bedford has continued to shape industry, arts, civil rights, finance, and science. Figures like Massasoit Ousamequin, Martha Bailey Briggs, Paul Cuffe, Eliza Bierstadt, Cecil Clark Davis, Mary “Polly” Johnson, Frederick Douglass, Hetty Green, William H. Carney, Henry Martyn Robert, and countless others have left enduring legacies, with innovations spanning from Lewis Temple’s toggle harpoon to Robert’s Rules of Order and pivotal contributions to the Underground Railroad.

In 2025, we invite artists to creatively interpret the many revolutionary ideas, people, and moments that have shaped the unceded lands of New Bedford and the region into what they are today. Tying into MA250, celebrating the birthplace of Liberty, we are most interested in receiving proposals with a special focus on untold stories of the Black and African diaspora whose historic network to freedom saved countless lives, the Indigenous populations who have served as stewards and interpreters of the land for millennia, and other underrepresented communities who have played a vital role in New Bedford’s cultural tapestry.

Artists are encouraged to put their own spin on these two ideas – revolution, a rapid transformation, and evolution, a gradual development – and to examine the juxtaposition between them. This year’s featured works will carefully consider both sides of the theme, contributing to the ever-evolving story of New Bedford.

History
Founded in 2013 by artist and curator Jessica Bregoli-Sparling, the Seaport Art Walk is the city’s first large format outdoor temporary public art installation. Each summer, sculptures and murals are strategically placed along New Bedford’s working waterfront and Seaport Cultural District. 

Seaport Art Walk is facilitated by New Bedford Creative, housed at the New Bedford  Economic Development Council, and a collaboration with the New Bedford Creative  Consortium, the City of New Bedford’s Parks, Recreation and Beaches and Tourism and Marketing Departments, Massachusetts Design, Art, and Technology Institute (DATMA), New Bedford Fishing Heritage Center, UMass Dartmouth College of Visual and Performing Arts (CVPA), and Bristol Community College (BCC) Visual and Performing Arts Department. 

This program is supported in part by a grant from the New Bedford Cultural Council, a local  agency which is supported by the Mass Cultural Council, a state agency, as well as the City of New Bedford’s Arts, Culture and Tourism Fund, with additional support from Bristol County Savings Bank and Barr Foundation.

Seaport Art Walk Archives

2023: 10th Anniversary

In 2023, we celebrated the Seaport Art Walk’s 10th anniversary! To mark the 10th anniversary, artists were invited to submit proposals for both new and pre-existing artwork that celebrated this milestone year for the Seaport Art Walk, commented on our city’s ever-changing artistic and cultural landscape, or commemorated the generations of creatives that have called New Bedford home. 

Artists were also encouraged to take inspiration from previous themes of the Seaport Art Walk, including Open Spaces (2022), Tides and Time (2021), Lighting the Way: Historic Women of the SouthCoast (2020), Whirlwind of Art (2019), Freedom and Equality: the Bicentennial of Frederick Douglass (2018), Sustainable Oceans (2017), Cultural Aspects (2016), Nautical Nuances (2015), The Sea in Stone (2014), and Inaugural Year (2013).

Jessica Bregoli, “Emily’s Bouquet” (2023): An intricate floral arrangement that pays homage to the beauty and transience of nature, honoring the person who helped spark Bregoli’s imagination along the waterfront. From the artist: “Ever since I was a kid, Emily Johns and I tended these garden beds. This site-specific sculpture is in the place where we named it the ‘Serendipity Garden.’ We always had the hardest time getting anything to grow here. So, in turn, this bouquet of flowers will never wilt or lose its color. There will always be something in bloom here for Emily as well as the onlookers. The Seaport Art Walk was created while I was in College at UMASS Dartmouth in the sculpture department. During this time, I was still helping Emily Johns as often as I could at the waterfront garden beds.  I was also working at Seastreak part time so I was at the waterfront mostly every day for one reason or another. One day while we were gardening Emily said ‘Wouldn’t a sculpture look so great here?’ talking about our Serendipity Garden spot. In college one of the most common things I heard from people was ‘Can’t you do this for free? It will be great for your resume!’ Then all of a sudden when Emily said that it clicked! Let’s pay artists for their time and materials! From that idea we made it into international and local news stories and continue to show the world all the amazing talented artists year after year.”

Alana Berman-Gnivecki, “Up Above and Down Below” (2023): A thought-provoking installation that juxtaposes the terrestrial and celestial realms, encouraging contemplation of the interconnectedness of all things. From the artist: “Every time I start a project, I study the botany, biology, and geology of my subject – all the -ologies, really – because, while I want my pieces to be beautiful, I also want them to be accurate. Art brings science to life and inspires people to connect to the natural world around them; when we understand more about our natural surroundings, we care more, we preserve more, and we become stewards for a future healthier world. In illustrating the marine ecology and habitat of Buzzard’s Bay and the Greater North Atlantic, I hope to illuminate the diverse beauty of our terrestrial and oceanic homes. My panels incorporate crushed mica from sediment in Maine to catch the glimmer of cresting waves and flecks of light underwater. I depict colonies of northern star coral, known for its resilience to climate change and ability to survive coral bleaching; bubblegum coral, which holds promise in the field of proteins for biomedicine; and sea lettuce and kelp, which offer food, shelter, and nursery to a diverse range of sea life. The roseate terns and northern gannets, birds that depend both on healthy skies and healthy seas, and the diving whale represent the bond between these two interconnected worlds: ‘Up Above and Down Below.'”

Heather Cronin & Andrew Reiss, “What You Sea” (2023): An immersive art installation that explores the interconnectedness between humans and the sea, urging viewers to contemplate their relationship with the marine environment. From the artist: “‘What You Sea’ explores the flowing connection between humans and the sea, hopefully bringing viewers compassion and peace.”

Donna Dodson, “Seagull Cinderella” (2016/2023): A provocative piece first seen ruffling some feathers at the 2016 Seaport Art Walk, celebrating all things feminine, maternal, and fun. From the artist: “‘Seagull Cinderella’ is as common as the birds we see at the beach. Yet she is uncommon, like Marilla in Anne of Green Gables, corseted and bound by the sweet virtues of her character. Her full length gown is alive with neon daisies and flower power! This piece is celebrating a common sea bird as the American mythic princess, Cinderella.”

Mandy Fraser, “Secret City Whale Pod” (2023): A whimsical and enchanting mural installation featuring a pod of majestic whales, capturing the imagination of all who encounter them. From the artist: “These whales are an homage to the city of New Bedford. They are created out of words that represent the fabric of our city. The words are a direct reflection of our community as they were collected from the public at 5 different city events last summer and are answers to the question ‘What Do You Love About New Bedford?’ The answers speak volumes to the love and heartfelt passion that people have for our little city by the sea as well as reflect our rich culture and history. I am grateful that my piece was chosen for the 2023 Seaport Art Walk.”

Eric Lintala, “Memories Carried On A Wing, Homage to The Wampanoag Nation” (2023): A dramatic work that fuses both past and present, conveying a hopeful future through the many stories and memories of the Wampanoag Nation. From the artist: “The Wampanoag Nation have undergone a very difficult history after assisting pilgrims in the early 1600s. There were once 67 distinct tribal communities, today only 6 remain. The influence of the Wampanoag Nation can still be felt throughout southeastern Massachusetts, environmental practices and values that were taught to the settlers long ago still help inform all of us today. The large figure on the front side of the sculpture represents Massasoit, chief of the Wampanoag Tribe at the time when the pilgrims first landed in Massachusetts. The large circular feathered headpiece is taken from an early undated engraving of chief Massasoit. The figure is flanked with painted images of handprints representing those that came before, a timeline represented by rectangular shapes along two parallel curving lines, and two zig-zag designs on the figure were taken from Native American clam shell belts. The backside of the sculpture is represented by a series of six small wings rising and a single large wing emerging from the dark interior of the cylindrical form, conveying a more hopeful and bright future with the many stories and memories of the Wampanoag Nation.

Ed McAloon, “Driven to Abstraction” (2023): An abstract artwork that challenges conventional perspectives, inviting viewers to explore the limitless possibilities of artistic expression. From the artist: “My work entitled ‘Driven to Abstraction’ describes the current path that my journey in sculpture has taken. As most artists, much of my earlier work in different mediums was representational and much was two dimensional. I transitioned to 3 dimensional pieces in steel some time ago, but recently have approached my work in a more improvisational way, yielding more abstract forms and themes. This work distills this path from 2 dimensional representation to 3 dimensional abstraction that I and many artists before me have taken.”

Brooke Mullins Doherty, “Vibrant Passage” (2023): A visually stunning piece that uses vibrant colors and dynamic forms to evoke a sense of movement and energy. From the artist: “‘Vibrant Passage’ is a portal, something that draws awareness to the moment of passage through time. It is not about where you are going so much as the journey, and it illuminates possibilities that are profound, glorious, diaphanous, and utterly ephemeral. Nonetheless, they have substance and meaning in the moment. The sculpture is made of translucent fabric sewn to wired panels, and thus its vibrant colors will also change with the colors of the sky. This means that each moment of experiencing ‘Vibrant Passage’ will also be unique, which will heighten its purpose of celebrating the passing moment in time. The outer frame is composed of whorled shapes that resemble the movement of wind and water, appropriate to its placement outdoors along the coastline.”

2022: Open Spaces

For 2022, artists were invited to submit proposals reflecting this year’s theme – “Open Spaces” – artwork that reflects or comments on the idea of creating open space for our minds and our souls, like the wilderness, the vast ocean, meditation, parks, nature, and opening ourselves to healing and love. Artworks could also address questions, such as: 

• How do we create open space to breathe and build community?
• How do we create open space to build connection and unearth or rediscover joy?
• How do we create open space for our community to dream, envision and embody a more just future for all of us?

Jessica Bregoli and Jessica England, “Reconnecting”: Our Piece “Reconnecting” represents our need to get back in touch with nature. Not being in nature and open spaces is detrimental to our well-being as a whole. During the past few years, we have lost touch with ourselves and simply being outside in nature. We have been isolated and absent from our own communities. Now we are at a time where we are relearning how to be out and connect with others again. The centered seated figure is in a lotus pose which represents our need to balance ourselves. The two figures on each side are plant humanoid and represent nature. They are reaching out to the figure to invite us to reconnect with the world.

Keith Francis, “Glittering Patterns”: Open ocean reflecting “glittering patterns” of sunlight. New Bedford’s past, present and future is beholden to the ocean. The name “glitter pattern” implies a moving and changing phenomenon. Glitter patterns consist of many bright points of light that come and go, blending together to form a smooth path of glittering light when viewed at a distance. If you look closely at a glitter pattern, you can see individual points of light. Each of these points of light is a specular reflection of the sun, called a sun glint. Glints occur on the water where the local slope provides a direct specular reflection of the sun. Staring at the ocean actually changes our brain waves’ frequency and puts us into a mild meditative state. A study published in the American Association for the Advancement of Science’s journal even found that blue is associated with a boost of creativity.

Jacob Ginga, “Another Year, An Osprey’s Story”: In 2021 I painted murals here of two beloved friends and local fishermen who passed away. This year I repainted those same panels with the images of two Osprey, migratory birds of prey. It feels appropriate to reimagine them as Osprey, a bird that roosts all around the area where we used to farm shellfish together. “Another Year: An Osprey’s Story” symbolizes the changing of seasons when the birds return to New England, build their nests, and start families. It also marks another year the world turns without Ben & Grampa Ben in it. Another year we have to learn to fly without them.

Erin Meade, “Mirrored Iridescence”: This year’s theme incorporates open minds, souls, and healing. My first thought was reflection. How can I incorporate unconventional materials with this year’s theme? This installation is inviting, creates an open space, and is also interactive. Using recycled CDs creates a variety of colors and reflects the light vividly. As an unconventional artist, it’s interesting to see my process from paper turn into a work of art. The meditational arches invite your mind to become more open to an iridescent experience.

Collin Wetzel, “A Discovery of the Native Algae, Seaweed and Kelp”: One of our most beloved Open Spaces happens to be the shoreline, marshes and beaches we visit. I often look at the minute details in our surrounds and have been working on a series based on local natives such as those commonly named Irish Moss, Bladder Wrack, Spiral Wrack, Dulce or Sea Lettuce. The many species of algae, seaweed and kelp provide shelter and breeding for many native crustaceans, fish fry and other microorganisms. What surprised me during my study was the many uses these important and often overlooked species have provided over the years. Some species were great sources of iodine, gelatin for cosmetics and food, a thickening agent, stabilizer or alternative sugar substitute. Others were used for treating goiter, joint pain and swelling and even fertilizer for crops. With my mural I hope to highlight the minute details, magnify them and possibly make those who enjoy our shores to take a closer look at the diverse intricate beauty right at our feet. My mural for the retaining wall below the upper level parking of the ferry terminal below the Nantucket and Vineyard Ferries Sign features a background of slate blue to reflect the color of the ocean, olive green, muted-red/coral for the seaweed, Algae and Kelp.